By Michael W. Clune

ISBN-10: 0511675372

ISBN-13: 9780511675379

ISBN-10: 0521513995

ISBN-13: 9780521513999

The years after international warfare have obvious a frequent fascination with the unfastened industry. Michael W. Clune considers this fascination in postwar literature. within the fictional worlds created through works starting from Frank O'Hara's poetry to nineties gangster rap, the industry is remodeled, supplying another kind of lifestyles, exact from either the social visions of the left and the individualist ethos of the correct. those rules additionally supply an unsettling instance of the way artwork takes on social energy via providing an get away from society. American Literature and the unfastened industry provides a brand new viewpoint on a few large ranging works for readers of yankee post-war literature.

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Additional resources for American Literature and the Free Market, 1945-2000

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28 By equating the refusal of recognition with the breakdown of subjectivity, Plath’s recent critics have rewritten Esther’s insanity according to this script. 29 But the conflict he stages between 38 American Literature and the Free Market the schizophrenic and contemporary society, between “inner space” and the space between subjects, is not equivalent to the familiar opposition between individual and society. The real opposition is between two competing spaces of relation, between two different modes of the collective.

It accomplishes this link by shaping JR’s awareness of and relation to the thing. Shaped by price, JR’s subjectivity is a collective subjectivity. The collective nature of his intention regarding the picnic fork rests on the determining influence of the single, nonsocial index of price. And in JR’s fictional world, everything has a price. Instead of a mechanism for mediating between the desires, expectations, and perceptions of separate individuals, the market looks like a mode of generating desire and perception.

I look at people and see nothing worth liking,” Plainview says. He glances across towards his brother and continues, “I can’t keep doing this on my own with these€…”, there is a long pause in which he begins to smile. ” And laughs insanely. ” The relation between him and his brother is a blood relation. Blood, like money, allows Plainview to “get away” from people. The blood relation is guaranteed outside social space; it is secured in a different dimension. ” Kinship is one meaning of the “blood” of the title.

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American Literature and the Free Market, 1945-2000 by Michael W. Clune


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